They’ve turned my 2003 gay teen novel Geography Club into a movie. It came out in 2013 (and it’s on Netflix now if you’re curious). Since then, people have asked me how it all happened and what I’ve learned from the whole experience.
The story starts when I graduated from college and decided to try to make a career writing novels and screenplays. It was the early 90s, and one of my first books was a young adult novel about a gay teen named Russel Middlebrook and his misfit friends. It was an extremely personal topic for me, because I had been a gay teenager, and I had also co-founded what we have since determined was the world’s third gay teen support group ever, in 1990.
For ten years, I (and later my agent, Jennifer DeChiara) tried to sell the book to publishers. A lot of editors wanted to buy it, but ultimately I heard the same thing over and over again: “I really like this, but the accountants at my publishing house tell me there’s no market for a book about gay teenagers.”
Maybe, but the fact is, if certain people hadn’t been willing to move heaven and earth for me and my projects at key points in my career, my book and the movie never would have happened, and right now I’d probably be asking, “Would you like fries with that?” That’s kind of sobering when I think about it.
But if I’ve learned anything at all over the years about selling books and making movies, it’s this: there are really only two ways books get published and movies ever get made:
On one hand, going with your heart is trickier: do you really want to devote years of your life to a project that a lot of editors and producers won’t even want to read? On the other hand, it’s a lot easier than trying to predict exactly where the crazy pop culture market and zeitgeist are headed. All you have to do is ask yourself: what exactly do I personally feel the most passionate about? What project would I desperately like to see that doesn’t already exist?
If you’d asked me my opinion earlier in my career, in the midst of all the rejection for Geography Club the book and later the movie, I would have said, “Do strategy number one! Go with your brain! Write that dystopian zombie-vampire book! There at least you have a chance for success! Strategy number two is for suckers and fools!” (And then I would have added, “Would you like fries with that?”)